21.09.2014.
Ally’Bad Days Part 4: Extract from
“No Sex, Some Drugs and a Lil’-Bit-o’-Rock & Roll.”
The year 1977 was a milestone in
Indian Politics.
Indira Gandhi had imposed an
“Emergency” in the Country in 1975 and impounded several Indian Politicians – Opposition
Group Leaders, their lieutenants and sycophants and their foot soldiers too in
Jail. In 1977, when the Emergency ended, Indira Gandhi was soundly defeated and
a new Government, a non-Congress party came in. The Congress Party’s major defeats
were in the Hindi-speaking states Of UP, Bihar, Rajasthan & MP.
Once, I had thought of Politics.
But, I was in Allahabad, in the heart of UP, that too an outsider a
“Madaraasi”. To people north of them, everybody south of the Vindhya Mountains
was called a “Madaraasi”.
I had latched myself to one,
Shuklaji, a small-time Congress Functionary even during the un-popular
Emergency. Mainly, I wanted to get my Ration Card thru his “sifarish” or
influence. I had got married and Shuklaji got me into Sanjay Gandhi’s Youth
Brigade so that I could collect two financial rewards – Rs. 250 for “Not taking
a dowry” – which I did not, and another Rs. 250 for “marrying outside my caste”
– an Iyengar, I married an Iyer.
But the routes to Political
achievement were quite fixed. Either you were born to a senior Politician or
the scion of nobility. Or, you got in through the “Goonda – Dada – Netha”
route.
You started off as a “Goonda”, a
small time hoodlum and did various felonies including extortion. A couple of jail terms would only add to your
notoriety. At the “Dada” stage, you did not commit felony, but had your own
gang of foot soldiers to do them. You settled disputes between your local
populace, strong arming when required. Also, you could hire or lend your services
and your gang of goons to a Political Party. Finally, one day, you changed your
wardrobe and got clothes stitched with “Khadi” the national fabric and you
became a “Netha” or politician.
Shuklaji, was a politician of this
genre. Another acquaintance, Raja Bhai, had come in through the other route –
he actually was a Raja – scion of one of Bundelkhand’s minor Princely states.
While Shuklaji survived in freedom, Raja Bhai – an opponent of the Congress
Party was picked up one fine day and put in jail. When the Emergency ended and
he came out, Raja Bhai contested – on a Janatha Party Ticket and won. Shuklaji,
as a Congress Candidate, lost.
Raja Bhai was a friend of Navin
Dutt’s uncles. He knew us and our Band. Raja Bhai wanted to have a Victory
Celebration in his town and asked us to bring our Band. He had even arranged a
“Tempo” – a 3 Wheeler pickup truck to take us and our music equipment to his
place – a distance of about 250 kms. We
were to leave early morning so that we could reach Raja’s palace for a Royal
Lunch Treat.
We hit the highway to Jabalpur,
turning off some distance away onto a bumpy, pot-holed district road which led
to the Raja’s town – I think it was Satna or Katni or maybe Rajgarh, I have
forgotten.
The town was typically Bundelkhand.
A bustling hovel of mud and stone houses, narrow and dusty main streets and the
town “Chowk”. A Post Office, the Taluk Tehsildar’s Office and a very, very
modest Town Hall were the only government buildings.
Overlooking and dominating the
landscape was the Palace. It perched on a cliff 200 feet high and there was a
steep road climbing up it with a few hair-pin bends. The Palace was in a Fort.
The fort was quite ancient. It sprawled over the hill top. Many of the
battlements were in ruins. Also, it had apparently been rebuilt over the ages
as many times as it was damaged or destroyed. The palace was perched on a wall
of ruins directly overlooking the small town. It was quite a recent
construction and had been built by Raja Bhai’s grandfather some time before the
Second World War
Behind the Palace, the hills
stretched away covered by the Forests of the Panna National Park. A large tract
of the Forest had once been owned by the Raja’s royal ancestors and was their
own private hunting ground. There was even a Hunting Lodge – built like a
miniature of the Palace about 50 Km away.
The raja’s constituency was a rural,
backward area, people were poor and uneducated. The entire scene of the Palace
/ Fort on the hill-top with the hovel of a town below reeked of the feudal air
of a Lord of the Manor rapaciously ruling his serf subjects.
Philip Richardson, who lived in
Kanpur, could not make this gig, so we had to get Trevor Coletrip, another
part-time drummer. His Sister, who could sing reasonably wanted to come along
and “jam” with the Band.
We loaded the Drum Kit, Amps and
Speakers onto the open back of the “Tempo”. There was only one more seat in the
Driver’s Cabin, so we had to let the girl sit in front, in comparative comfort,
while we sat cross legged on the floor of the open, bumpy, shaky vehicle. Hot, thirsty and
tired we reached the town’s center just before noon. Everyone
wanted to get down, stretch their legs and cool off with some hot tea. I wanted
to have a look at the venue, the Town Hall.
As I said, the Town Hall was a very,
very modest affair. It could hardly seat two hundred. At the door there was a
commotion. The Tehsildar had posted two constables with big, thick, Latthis.
Several groups were squabbling vehemently.
Apparently, the fight was among
various factions of Raja’s minions. They wanted to reserve and occupy the front
rows in the Evening’s Function. There already was a huge crowd which could have
filled several dozen Town Halls. Many had come in from the countryside to enjoy
Raja Bhai’s Victory Celebration. The reason for this sudden influx was “The
Band” – our Band.
The populace had got to know that
there was going to be live music entertainment.
Then they came to know that it was
going to be a western music band.
Then they heard it was going to be a
“Gora” (White skinned Band). Actually there were four Anglo-Indians among us.
Then they had just heard that the
Band was coming with a Female Singer. That too a “Gora”! Navin’s uncle had
“trunk-called” and informed the Palace when we had left in the morning.
And now they saw the Gora Singer.
The Tempo had stopped to pick up Deisel in the only Petrol Bunk which was in
the town centre. Everyone had got down
to stretch their legs. A crowd of a thousand rustic young and middle aged men
ogled her till she became uncomfortable.
Once the Deisel got filled we went
up the Hill to the Palace. We enjoyed the right Royal Meal, wolfing down the
delicacies.
The function was to start at six in
the evening, but at about three pm, came indications of problems.
Raja’s Personal Assistant rushed in:
“Bahut bheed hai, aur bahut Hangaama
bhi hai gaon mein, sahib” (There is a huge crowd in the town and they are very
restless and boisterous).
“Itne log kaise aa gayen?” (how did
so many people turn up?) asked Raja.
The PA informed him that the entire
proletariat had heard about the Band. They had also heard about the “Gora”
Female Singer. The news was still spreading like wildfire and men were still
streaming in from the countryside. Also wild speculation and rumors had started
among the milling crowd. What music would the Band play? What would the “Gora”
girl sing? Would she sing and dance too? What dress, or state of un-dress would
she perform in?
By Six PM, when the function was
supposed to begin, we could actually see and hear the commotion in the town
hundred feet below. Three thousand boisterous men were chanting together:
“Program shuru karo. Hum Nanga
Naatch maangta hai. Raaja Bhai ki Jai” (Start the program. We want to see naked
dance. Glory be to Raja Bhai.)
It was clear there was no way we
could go down and play the show. The Raja suggested that we leave and get out
of harm’s way as soon as possible. He sent word down to the town that he had
suddenly fallen ill and the program was cancelled.
“But the only way to go back is
through the town Sir,” said the Tempo Driver. “We’ll all get lynched if we try
that.”
“There is another way out,” said the
Raja, “from the back side of the palace you can take the forest road to my
Hunting Lodge, and from there you can reach the main Highway. It’s a detour of
about 75 kms.”
So in the deepening dusk, we all got
on to the Tempo and slipped out onto the Forest Road. The road was quite OK
till the Hunting Lodge, but very bumpy from there till the highway. The band
sat on the open tempo, ever terrified that we would be attacked by carnivores.
But we reached Civilization safely, only crossing a herd of Neelgai, a large
Antelope.
Another Politico friend of mine was
a colorful character who called himself “Babbu Guru”. Another one who had taken
the Goonda-Dada-Netha route,. he had donned Khadi and fought the election as an
Independent, having failed to get Congress or Janata Party nomination. He not
only lost but forfeited his deposit too. Actually, he was an Anglo-Indian and
his name was L B Montrose. He knew my closeness to Anglo Indians and he helped
get me quite a few musical gigs. These included a Circus, where I substituted
for the guitarist for ten days.
Like the “Cabaret” of Bangalore, the
Circus is an entertainment form that has disappeared. The Band was perched on a
rickety box which was built over the stage entrance. Below us, the various
artistes, acrobats, clown, the elephants, trained animals and the lions and
tigers trooped into the ring. Wally, the Band Leader showed me how to play with
a circus.
“Follow the timing of the Flying Trapeze
Artists. Your Three-Four Waltz timing has to co-ordinate with that. And
synchronize with the Motor Cyclists in the Wheel of Death too, with the
four-four beats.” My stint with the circus was as rewarding as it was educative
and strengthened my resolve that as a Professional Guitarist, I should be able
to play any genre with any type of musical ensemble.
Babbu Guru also got me a few gigs
with a Baraath Band. With the mobile “Baraath” band, I was the focus of
attraction. Though I only played rhythm chords, I was perched on a decorative
chariot. Actually it was just a rickety push cart – the type Vegetable Vendors
use. It had been decorated to resemble a peacock and was pushed by a man along.
Two poles focused hot Halogen Lights on me and my amplifier and speaker perched
on the push-cart too. Another push cart at the end of the Band ensemble carried
a noisy, smoky generator and dangerous looking power cables were strung till my
“chariot” to power my amp and speaker and the hot halogen lamps. I was
surrounded by a ten piece Brass Band, where the main melody was played by a
trumpet player. Behind him came a full Brass Band with Tubas, F- Horns,
Coronets, Trombones, Kettle Drums, Cymbals and Castanets. Beside the band, a
small platoon of serfs carried Petromax Lanterns to light up the procession.
The Baraath Band accompanied the
Groom – mounted on a Horse, wearing a veil of flowers below his Ceremonial Turban
- and his party, in a raucous, noisy parade up to the wedding venue – usually a
distance about 2 km.
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