First
Gig in Allahabad:
Extract
from my Autobiography- “No Sex, some Drugs and a little bit of Rock &
Roll”.
The music Scene at Allahabad in
1973, was, in my considered opinion at that time, ten years behind Bangalore,
Mumbai and Delhi, which were ten years behind UK BBC’s Top Twenty. In 1973, the
Rock scene in UK with the Beatles,
Rolling Stones, the Who, Merseyside, Soho and Carnby street were all more
important than the USA which we considered as commercial except for Woodstock
and Elvis.
For just a small provincial town –
not even the state capital, Allahabad had quite a life of entertainment
activities among its cognoscenti and westernized haute-pouri. Besides the
Officers’ Messes of the Air force, the Army and the Paramilitary police, there
was a Gymkhana Club, a Cosmopolitan Club, a Railway Institute and the Anglo
Indian Thornhill Club too. There were also ‘socials’ in the local Boys and Girls
Convents too.
All these afforded opportunity for
amateur musicians – read Guitar Bands to provide ‘live’ the latest western
dance music.
The Neophiliacs – their talent was
their bassist Sanjeev Sircar, who also played for Shattered Prism the band from
the Agricultural University at Naini just across the Jamuna. The Lead Singer of
the Neophiliacs Vijay Benedict went on to become a minor celebrity as a singer,
DJ and RJ in Delhi and Mumbai - quite a feat considering the fledgling state of
the Indian Rock scene in the 1970s and 80s.
The Shattered Prism were very good,
good equipment, latest repertoire and a keyboard which was unique at that time.
They were also from very well to do families and were not in competition with
the predominantly Anglo-Indian groups and rarely played Club or Mess gigs.
Chris Sheppard and Tony D’Cruz
inherited their Bands from their fathers. This was not uncommon. Larry French
who played Sax and Clarinet with us was a third generation musician. His
grandmother had played Piano and his father drums in the very same hall in
Thornhill club where I had my first gig in Allahabad.
This ‘show’ gave me my first
experience of a rocking Anglo Indian party with all the frills thrown in.
The club had been built in the early
1900s. The only part of the structure which remained with the remnants of a
rapidly diminishing Anglo-Indian community was the main Dance Hall. The next
rooms – the card table room had become Larry’s home, while the Billiards room
was occupied by another Anglo-Indian family. It had a springy wooden floor and
looked quite large.
Or, perhaps it looked large because
at 8 pm, one hour after the show was to start the hall was empty except for the
band and the MC who was nervously flitting in and out of the gate. The “gate”
or entrance was only Rs.2/- for members or their (approved) guests and ladies
were free.
“Don’t worry, man”, said Larry,
“they’re all tanking it up at the grog shop.” The country liquor shop was just
down the road. Bubbles had already exhausted all his country songs to an empty
hall and Larry most of his instrumentals “La Paloma, Fly me to the moon” etc. I
piled into my set of hard rock – Hendrix and Cream of Eric Clapton. That
started bringing some people into the hall.
Sanjeeb Sircar with Bruce Drummond,
Chris Sheppard & Tony D’Cruz trooped in. “The other band guys,” said
Bubbles waving a glassy put-on smile to them. By about 9 pm, the hall was quite
full but nobody got up to dance. They were waiting for the MC to get the
“senior most” couple to start livening up the dance floor. But once it got
going, it really started rocking. We got a break when I magnanimously allowed
the “rival” band guys to jam up a bit while I and the band went down to the
local “pub”. There we found the MC taking a break with Mr. Scott the local
headmaster of the Anglo-Indian boy’s school. They were adding a bit of
caramelized sugar from a heated spoon to a full bottle of the local brew which
was colorless. A reddish brown tint emerged.
“So that people will think it’s Rum,
son. Not local grog,” explained the MC to me. Typically Anglo-Indian I thought
– “Here’s to the best and fuck the rest” as they would always say in Bangalore,
Asansol, Gorakhpur, Guntakal, Villupuram, Kanpur (Cawnpore), Arkonam,
Bitragunta and several towns where strong Anglo Indian communities once
existed.
When we got back for our last set it
was almost midnight. I noticed Larry already getting all the gear together –
even in those days there was always a mess of stands, cables, mikes, speaker
boxes and amps. We were playing in a small “bay” with French bay windows. Larry
opened one of them and the chill of the night wafted in.
“Get ready to take off soon, man,”
said Larry, “we may have to move in a hurry.”
I was quite surprised. To me the
scene seemed to have just warmed up and everybody was jiving vigorously,
happily on the dance floor. I was just getting into the mood – there was a
pretty girl really shaking it up just in front of me, encouraging, giving vibes
and quite ignoring her partner. Everybody was trying to shout above the music
volume.
Suddenly there was a big crash. A
chair went sailing across the dance floor and crashed into the side wall.
Fisticuffs were heard. The MC emerged from the milling crowd flying
horizontally over the floor. He bumped into one of the mike stands and passed
out.
“Let’s fuck off, said Larry. I
stopped playing. He unplugged my guitar and shoved me through the window into
the derelict garden outside. Bubbles, was quite a hefty, beefy fellow and he kept the milling, fighting, falling, cursing,
screaming crowd at bay while Larry and the drummer took out the drum set and
the rest of the gear out of the window.
We gathered at Larry’s place just
next door.
“Jolly good show, what man?” said
Bubbles. “Yeah” said Larry and we all burst out laughing.
“What was that scrap all about?” I
asked.
“Oh that,” said Larry quite
matter-of-factly, “Old Scotty’s wife was dancing with the MC and he suddenly
got jealous. Both were drunk and got into a fist fight.”
“Thought they were bum chums?” said
Bubbles.
“They’re
Anglo Indians,” said Larry as if it explained it all.
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